Set in near-future America, The School for Good Mothers introduces readers to a government-run reform program where bad mothers are retrained using robot doll children with artificial intelligence. Protagonist Frida Liu, a 39-year-old Chinese-American single mother in Philadelphia, loses custody of her 18-month-old daughter, Harriet, after she leaves Harriet home alone for two hours on one very bad day. To regain custody, Frida must spend a year at a newly-created institution, where she practices parenting with bad mothers from all over the county. There, she learns to love an uncannily life-like toddler girl doll in order to demonstrate her maternal instincts and prove to her family court judge that she deserves a second chance. Frida is an outsider in every way: better educated, more affluent, and the only Asian. The mothers, whose transgressions range from benign to horrific, are under constant surveillance. If they don't pass all the school's tests, their parental rights will be terminated. Inspired by dystopian classics such as 1984, Never Let Me Go, and The Handmaid's Tale, the novel eviscerates the dominant American parenting culture, while highlighting the tragedy of state-sponsored family separation. Is there one right way to mother? Can a bad mother ever be redeemed? With warmth, heart, and dark humor, the novel tells a timeless story of a mother fighting to win back her child, and her struggle to hold onto her integrity while being indoctrinated.
From the internationally bestselling author of Exit West, a story of love, loss, and rediscovery in a time of unsettling change. One morning, a man wakes up to find himself transformed. Overnight, Anders's skin has turned dark, and the reflection in the mirror seems a stranger to him. At first he shares his secret only with Oona, an old friend turned new lover. Soon, reports of similar events begin to surface. Across the land, people are awakening in new incarnations, uncertain how their neighbors, friends, and family will greet them. Some see the transformations as the long-dreaded overturning of the established order that must be resisted to a bitter end. In many, like Anders's father and Oona's mother, a sense of profound loss and unease wars with profound love. As the bond between Anders and Oona deepens, change takes on a different shading: a chance at a kind of rebirth--an opportunity to see ourselves, face to face, anew. In Mohsin Hamid's "lyrical and urgent" prose (O Magazine), The Last White Man uplifts our capacity for empathy and the transcendence it allows, a migration of consciousness powerfully enacted by the novel itself.